Producer / Mix / Master

Open, cinematic records with weight, movement and clarity.

I’m Federico Telesca, a music producer, mixing engineer and mastering engineer based in Sheffield. I help artists turn sharp ideas into records that feel expansive, emotional and sonically deliberate.

Novomundo The Cursed Cult artwork
Sugar Smile Falling artwork
Sam Scherdel Somewhere In The Middle artwork
Novomundo Sugar Smile Malevolence Sam Scherdel newshapes Since 2000 The N.S.O. The Pretty Ugly EXTS
Selected work

Portfolio pieces with the same open, editorial energy as the site.

A selection of releases spanning alternative, heavy and artist-led records. The visuals are yours, and the page treats them as the core portfolio surface instead of decoration.

Novomundo The Cursed Cult cover art
Featured release

Novomundo

The Cursed Cult

Novomundo The Coven artwork
Artwork / release

Novomundo

The Coven

Sugar Smile Waiting Room artwork
Single

Sugar Smile

Waiting Room

Malevolence Trenches Manchester artwork
Live energy

Malevolence

Trenches, Manchester

newshapes Reach artwork
Release

newshapes

Reach

Since 2000 EP cover art
EP

Since 2000

EP Cover Art

The Pretty Ugly We Got Lost Along The Way artwork
Featured release

The Pretty Ugly

We Got Lost Along The Way

The N.S.O. Sunday Club artwork
Release

The N.S.O.

Sunday Club

EXTS No Excuses artwork
Release

EXTS

No Excuses

Sam Scherdel Somewhere In The Middle artwork
Release

Sam Scherdel

Somewhere In The Middle

Services

Producer instinct. Mix discipline. Mastering that finishes the record, not flattens it.

01

Production

From early arrangement choices to final performances, I help shape songs so they hit harder emotionally and technically before the mix stage even begins.

02

Mixing

My approach blends analogue outboard, console workflow and modern tools to build mixes that feel wide, punchy, detailed and alive.

03

Mastering

Final masters are tailored to translate confidently across streaming, headphones, speakers and live environments while keeping the record’s dynamics intact.

About

A drummer’s instinct, refined into production and mix decisions.

I started out behind the kit, which shaped how I hear momentum, weight and movement inside a record. That background still drives the way I produce and mix now: every section needs intent, every impact needs contrast, and every texture needs space to breathe.

The goal is never polish for its own sake. It’s to make a record feel unmistakably yours while giving it the scale and finish it deserves.

Sheffield UK-based studio workflow with remote collaboration worldwide.
Hybrid Analogue character, modern editing precision, no unnecessary excess.
Artist-first Every project is shaped around emotion, identity and replay value.

Working with Federico was effortless from start to finish. He brings real care, strong communication and the kind of sonic instinct that makes a song land properly.

Reworked from client feedback on previous collaborations.

More releases

A broader snapshot of the catalogue.

Novomundo Bokor artwork

Novomundo

Bokor

Novomundo Deathless artwork

Novomundo

Deathless

Novomundo Maitresse La Sirene artwork

Novomundo

Maitresse La Sirene

Novomundo Vodun artwork

Novomundo

Vodun

newshapes Forget artwork

newshapes

Forget

Since 2000 lost BOYS artwork

Since 2000

lost BOYS

EXTS Start Again artwork

EXTS

Start Again

FAQ

Clear, simple process.

Yes. Most projects can be handled remotely from Sheffield, with a process built around easy file delivery, clear feedback rounds and direct communication.

The work leans toward alternative, heavy, rock and emotionally led music, but the common thread is always artists who want identity and impact rather than generic polish.

It’s a hybrid workflow shaped by performance feel first, then refined with analogue colour and modern control so the result stays bold without feeling over-processed.

Absolutely. Production input early on usually creates the biggest gains, especially around arrangement, sonics, transitions and drum impact.